VII International Piano Festival
of Oeiras

After finishing her studies at Escola Superior de Música de Lisboa with the maximum classification under the supervision of the pianist Tania Achot, and a master’s degree in piano performance
at Catholic University of Porto with Filipe Pinto Ribeiro, she continued her musical studies at Koninklijk Conservatorium Brussel with Jan Michiels and in Madrid with Claudio Mehner.
She obtained her PHD degree in 2015 with “Magna cum laude” at the Escola das Artes of the Catholic University Porto under the orientation of the pianist Sofia Lourenço and the composer Paulo Ferreira Lopes.
She won several national and international prizes, including “Maria Campina” and “PrincessLalla Meryem”, and performed as soloist with the Brussels Chamber Orchestra, as a prize of Koninklijk Conservatorium Brussel Competition for students of all instruments. She has played, since 2006, in countries as France, the Netherlands, Sweden, Brazil and China, as well as in the main Portuguese festivals and concert halls, including Dias da Música, Sintra Festival, Oeiras Festival, Mafra Festival, Centro Cultural de Belém, Auditório Ruy de Carvalho, Centro Cultural de Cascais and Olga Cadaval Cultural Center, as soloist and with the leading Portuguese orchestras and conductors. She was the guest artist in 2023 in the tribute to Madalena Azeredo Perdigão on the occasion of her centenary in Figueira da Foz and was also the guest pianist in the IAC’s tribute to its honorary president Manuela Eanes at the Gulbenkian Foundation.
She is the author of the book “Schumann´s Carnaval: work of genius and madness” (based in her PhD dissertation and with a preface of Professor Mário de Vieira de Carvalho) and has recorded five CDs: “Waltz Transfigured” with works by Schubert and Schumann, “Brahms: Piano Concerto No. 1” with Orquestra do Norte, “Encounter”, with works by Mozart and Schumann, “Identity”, with music by Debussy, Prokofiev and Liszt and most recent “Terra”, with works by Mussorgsky, Bartók, Albéniz.
Pianist of great originality, Teresa da Palma Pereira has been dedicated, in the last years, to a set of projects that aim to bring erudite music to new audiences, performing several cycles
of commented recitals, as “Communication with music”, “Classics outdoors”, Classics for All” and “ Classics in the Bookstore”, at Fundação Portuguesa das Comunicações, Palace of the Aciprestes, in Linda-a-Velha, social quarters and the bookstore “Ler Devagar”, in Alcântara, respectively.
She´s also the Artistic Director of the Oeiras International Piano Festival since 2018. She organizes Oeiras International Piano Masterclasses and the Piano Ccourses for Beginners
(Fipo Piano Courses).

Poetic elegance, an innate feeling for expressive nuance and the power to project bold, dramatic contrasts are among the arresting attributes of Yeol Eum Son’s pianism. Her refined artistry
rises from breathtaking technical control and a profound empathy for the emotional temper of the works within her strikingly wide repertoire. She is driven above all by her natural
curiosity to explore a multitude of musical genres and styles and the desire to reveal what she describes as the “pure essence” of everything she performs. Yeol Eum refuses to impose
limits on her artistic freedom and remains determined to explore new artistic territory. Her choice of repertoire, which spans everything from the works of Bach and Mozart to those of Shchedrin and Kapustin, is guided chiefly by the quality and depth of the music.
In high demand as recitalist, concerto soloist and chamber musician, Yeol Eum has won critical plaudits for the profound insights and intelligence of her interpretations. Her development as an all-round artist has gained from collaborations with conductors as diverse as Lorin Maazel, Dmitri Kitajenko, Valery Gergiev, Antonio Pappano, Andrew Manze, Jaime Martin, Jun Märkl, Roberto González-Monjas, Jonathon Heyward, Ryan Bancroft, Pablo Gonzalez, Pietari Inkinen, Eivind Aadland, Joana Carneiro, Anja Bihlmaier, Dima Slobodeniouk, Gergely Madaras, Alexander Shelley and Omer Meir Welber.
During 22/23 season Yeol Eum served as an Artist-in-Residence with the Residentie Orkest in the Hague with performances of Mozart’s Piano Concerto No.25, Gershwin’s Rhapsody in Blue and I Got Rhythm, Saint-Saëns’ Piano Concerto No.2 and Ravel’s Piano Concerto for the Left Hand. Further season highlights in 2022-23 included a succession of debut performances with the BBC National Orchestra of Wales and Finnish Radio Symphony Orchestra (Rachmaninov’s Piano Concerto No.2), the NDR Radiophilharmonie (Beethoven’s Piano Concerto No.4 and Rachmaninov’s Piano Concerto No.2), the Detroit Symphony Orchestra (Mendelssohn’s Piano Concerto No.1), the Orquesta Sinfónica del Principado de Asturias (Szymanowski’s Symphony No.4), Musikkollegium Winterthur (Ravel’s Piano
Concerto in G major), the Scottish Chamber Orchestra (Mozart’s Piano Concerto No.27), the Saint Paul Chamber Orchestra (Beethoven’s Piano Concerto No.2 and Mozart’s Piano Concerto No.23), the Sydney Symphony (Mozart’s Piano Concerto No.20), Melbourne Symphony (Ravel’s Piano Concerto in G major) , Tasmanian Symphony (Chopin’s Piano Concerto No.2) and Auckland Philharmonia (Chopin Piano Concerto No.2). Yeol Eum closed the season with her debuts at the Edinburgh International Festival, Rosendal Chamber Music Festival and return visit at the Helsingborg Piano Festival Across 23/24 season, Yeol Eum collaborates ones again with the Deutsche Radio Philharmonie Saarbrücken Kaiserslautern at home in Germany and on tour in South Korea featuring Rachmaninov’s P i an o C on c e r to No. 3 , Ta sm ani an Sy mph ony w ith R a chm anin ov’s Piano Concerto No.3 and Auckland Philharmonia with the Mozart’s Piano Concerto No.24. Yeol Eum makes debuts with the Oslo Philharmonic Orchestra performing Chopin’s Piano Concerto No.2, Atlanta Symphony Orchestra performing Britten’s Piano Concerto, Vancouver Symphony Orchestra performing Mozart’s Piano Concerto No.20 , NAC Orchestra performing Prokofiev’s Piano Concerto No.2, West Australian Symphony Orchestra with Rachmaninov’s Piano Concerto No.3 and Tenerife Symphony with the Rachmaninov’s Piano Concerto No.3.
She also returns to the Melbourne recital centre, Adelaide International Piano Series, Mosel Music Festival and makes recital debuts at the Singapore International Piano Festival and International Piano Festival of Oeiras, Portugal.
The international reach of her work of the past seasons s clearly reflected in collaborations with, among others, the Konzerthaus Orchestra Berlin, the Gürzenich, Dresden Philharmonic and Tonkünstler Orchestras, Orchestre Philharmonique de Radio France and the Orchestre national d’Île-de-France, Orchestre Philharmonique Royal de Liège, the City of Birmingham Symphony Orchestra, Aurora Orchestra, the BBC Philharmonic at the 2019 BBC Proms, BBC Scottish, the Royal Liverpool Philharmonic Orchestra, the Budapest Festival, Helsinki, and Bergen Philharmonic, Basel Symphony, Castilla y León Symphony and Spanish Radio and Television Symphony orchestras, Singapore Symphony, San Diego and Detroit Symphony and the Mariinsky Orchestra.
Yeol Eum Son, born in Wonju, South Korea in 1986, received her first piano lessons at the age of three-and-a-half. She was among the prize winners at the International Tchaikovsky Competition for Young Musicians in 1997 and won the Oberlin International Piano Competition two years later. Yeol Eum studied at Korea National University of Arts and continued her training with Professor Arie Vardi at the Hochschule für Musik, Theater und Medien Hannover.
Yeol Eum attracted international attention when she secured second prize and the Best Chamber Music Performance at the 2009 Van Cliburn Competition. She underlined her position among the most gifted artists of her generation at the 2011 International Tchaikovsky Competition, where she won the Silver Medal and received the coveted competition’s prizes for Best Chamber Concerto Performance and Best Performance of the Commissioned Work.
Mecenas: Apoios:Over the past decade Yeol Eum has achieved global acclaim not least for her interpretations of Mozart’s piano concertos. In 2016 she joined the Academy of St Martin in the Fields and Sir Neville Marriner in what proved to be the conductor’s final recording, setting down a radiant interpretation of Mozart’s Piano Concerto No.21 for Onyx Classics. She made her
London debut at Cadogan Hall with the same work and orchestra in 2018 and enchanted the audience at the Royal Albert Hall the following year with Mozart’s Piano Concerto No.15 for her debut at the BBC Proms.
In addition to her all-Mozart album for Onyx (2018) most recently Yeol Eum released her debut on Naïve in March 2023 with a stunning boxset of Mozart’s Complete Piano Sonatas, the album earned early acclaim from the international classical press, including being named Classic FM’s Album of the Week. Yeol Eum’s discography also includes Modern Times, an album of works by Berg, Prokofiev, Stravinsky and Ravel (Decca, 2016), a recording of Schumann’s Fantasy in C, Kreisleriana and Arabesque (Onyx, 2020) and a disc devoted to Nikolai Kapustin’s Eight Concert Etudes, Piano Sonata No.2 and other representative compositions (Onyx, 2021).

“At the age of 19, Israeli pianist Yoav Levanon already shows tremendous power and maturity”, Frankfurter Allgemeine Zeitung commented on the young pianist’s impressive appearance at the 2022 Europa Open Air in Frankfurt where he performed Chopin’s Piano Concerto No. 2 with Frankfurt Radio Symphony Orchestra and Music Director Alain Altinoglu. The televised concert took place in front of an audience of 25,000 at site and almost half a million viewers worldwide.
Following on from his recital debut at St. Martin-in-the-Fields in London in early 2022, the 2022/23 season saw Yoav Levanon perform solo recitals at Boulez Saal in Berlin, Grand Auditorium de Radio France in Paris, Munich’s Prinzregententheater, Settimane Musicali di Ascona and the Menuhin Festival in Gstaad as well as on a tour of the US for the American Friends of the Israel Philharmonic Orchestra. Invitations from orchestras led him to the Luzerner Sinfonieorchester, Israel Chamber Orchestra and the North Netherlands Orchestra on tour in the Netherlands to include a stop at the Concertgebouw in Amsterdam.
Previous appearances included a solo performance in a “Piano Summit” presented by Martha Argerich at Schloss Elmau followed by a recital at the Piano aux Jacobins Festival in Toulouse and a recital at the Fondation Louis Vuitton in Paris. His performance was highly praised in a critic in Diapason: “Yoav Levanon is not only a stunning virtuoso.
His assertive interpretative choices already make him an authentic musician, who has everything to become one of the major pianists of this century.”
At the beginning of 2021, Yoav Levanon took part in a filmed project with Daniel Barenboim and soon after he signed an exclusive recording agreement with Warner Classics. His debut album A Monument for Beethoven with the label was released in May 2022.
It attracted great attention from reviewers worldwide and garnered many excellent reviews.
Yoav Levanon first appeared on stage at the age of 4 and soon became a winner of his first National Piano Competition in Israel. He won his first Gold Medal at an International Piano
Competition in the USA a year later and performed on the prestigious stage of Carnegie Hall in New York. Following his orchestral debut with the Israel Chamber Orchestra he went on to take part in the Tsinandali Festival, Georgia, where he played Mozart and Bach Concertos for Two Pianos and Orchestra with acclaimed pianist Sergei Babayan. Later he received the ”Young Talent Award” of the Fundación Excelentia and performed in a ceremony at the National Auditorium Madrid in the presence of Queen Sofia. During 2018 Yoav performed Rachmaninov’s Piano Concerto No. 2 with the Israel Philharmonic Orchestra. In 2019, Yoav appeared as one of the youngest pianists ever in the festival history of the renowned Verbier Festival and was celebrated a “discovery”. His debut solo recital, broadcast globally on medici.tv, gained the largest online audience of any of the
2019 Festival’s events.
Yoav Levanon is guided by top piano professors and musicians in Israel and abroad. He was privileged to take part in the ‘Piano Program for Outstanding Young Pianists’ at the Jerusalem Music Center, working with the prestigious American concert pianist Murray Perahia as well as working under the guidance of distinguished pianist Sir Andras Schiff in his artist performance studio at the Barenboim-Said Academy in Berlin.

Yulianna Avdeeva gained worldwide recognition at the 2010 Chopin Competition, where she won First Prize with a “detailed way of playing” that “matched Chopin’s own” (The Telegraph). A pianist of fiery temperament and virtuosity, Avdeeva plays with power, conviction, and sensibility, having won over audiences all over the world.
A favorite artist in Europe with recurring concert engagements at the Warsaw Philharmonic or Rudolfinum in Prague, Pierre Boulez Saal Berlin, Vienna Konzerthaus and Elbphilharmonie Hamburg, Yulianna has also given concerts for Ukrainian Relief, including one together with Anne-Sophie Mutter at the Lucerne Chamber Music Festival.
Her 2022-23 season begins with a Tippet Rise Festival recital in the US, followed later by a Carnegie Hall debut recital. She performs with the Vienna Symphony and after an acclaimed first collaboration in 2021 tours again with Teodor Currentzis and SWR Symphony in Munich, Hamburg and Vienna. In mid-winter she returns to Japan with concerts in Tokyo, Osaka, Yokohama and Kyoto to be followed with concerto appearances with the Frankfurt Radio Symphony (Andris Poga), RAI National Orchestra (Juraj Valčuha), Bergen Philharmonic (Petr Popelka), Basque National Orchestra (Robert Trevino) and Camerata Salzburg (Finnegan Downie Dear). She will also perform in recitals in Leipzig, Florence, Madrid, Barcelona, Aarhus and Naples.
Among her other extensive orchestral collaborators are the Los Angeles Philharmonic, Montreal Symphony, City of Birmingham Symphony, Rundfunk-Sinfonieorchester Berlin, Royal Stockholm Philharmonic, London Philharmonic, Finnish and Danish Radio Symphonies, Czech Philharmonic, Pittsburgh Symphony, Dresden Philharmonic, Sinfonieorchester Basel, Kremerata Baltica, Orchestra dell’Accademia Nazionale di Santa Cecilia, KBS Symphony and Yomiuri Nippon Symphony.
A dedicated chamber musician, Yulianna has toured regularly throughout Europe with violinists Julia Fischer and Gidon Kremer, with appearances at Wigmore Hall, Tonhalle Zurich, Festspielhaus Baden-Baden, among others. In addition to being a regular guest at Festival Chopin Warsaw and the Festival International de Piano La Roque d’Anthéron, recent seasons have seen Avdeeva in recital at the Salzburg Festival, Rheingau Musik Festival, Elbphilharmonie Hamburg, Boulez Saal, Vienna Konzerthaus, Palau de la Música Catalana, Musikfest Bremen, Jerusalem Chamber Music Festival and Shostakovich Festival Saxony.
Avdeeva’s recordings of Chopin concertos with the Orchestra of the Eighteenth Century and Frans Brüggen (2013), her 3 solo albums featuring works by Bach, Mozart, Schubert, Chopin, Liszt, and Prokofiev (2014, 2016, 2017), and her collaboration with Gidon Kremer in Mieczyslaw Weinberg’s chamber music (2017 and 2019) comprise a formidable record of Yulianna’s art topped off by a Deutsche Grammophon (2019) solo recording as part of a milestone collection dedicated to Chopin Competition Gold Medalists.
Piano aficionados around the world also enjoy her educational online streaming project, the #AvdeevaBachProject, which she started during the lockdown gaining more than half a million views.

olish pianist Piotr Anderszewski is one of the most notable musicians of his generation. He performs in recital in prestigious halls such as the Konzerthaus in Vienna, the Philharmonie in Berlin, the Wigmore Hall in London, New York’s Carnegie Hall, the Théâtre des Champs-Élysées in Paris or the Concertgebouw in Amsterdam. As soloist of concert, he has played with many of the world’s leading orchestras, also frequently collaborating in the double role of soloist and director orchestra, namely with the Scottish Chamber Orchestra, the Chamber Orchestra of Europe or the Camerata Salzburg, among others.: In this season, he returned to artistic interaction with the Orchestra Gulbenkian, the Leipzig Gewandhaus Orchestra, the Kammerakademie Potsdam, the Tokyo NHK Symphony, the Finnish Radio Symphony or the Radio France Philharmonic, among other orchestras. In recital, performs at the Philharmonie de Paris, at the Musikverein in Vienna, at the Alte Oper Frankfurt and other important concert halls in Europe and Asia.
Piotr Anderszewski studied at the Chopin Academy in Warsaw and Strasbourg and Lyon Conservatories. He received several distinctions, including the Gilmore Prize, the Szymanowski Prize and the Royal Philharmonic Society. His recordings for Warner Classics/Erato, exclusively since 2000, have received several awards, including the Gramophone, the ECHO Classic, BBC Music Magazine’s “Record of the Year” and nominations for the Grammys.
Piotr Anderszewski is the central figure in two of Bruno’s Monsaing documentaries: In Piotr Anderszewski plays the Diabelli Variations (2001) the pianist presents his particular relationship
with the Diabelli Variations of Beethoven; Unquiet Traveler (2008) is an unusual portrait of Anderszewski, capturing the pianist’s reflections on music, interpretation and its Polish and Hungarian roots. In 2016, Anderszewski himself occupied the place behind the camera to explore his relationship with Warsaw, in a film titled Je m’appelle Varsovie.